Addams Family Mal Beineke Alice Beineke Lucas Beineke

Musical Comedy

The Addams Family
A New Musical One-act
The Addams Family musical poster 2010 Nathan Lane Bebe Neuwirth.jpg

One of 2010 theatrical release posters

Music Andrew Lippa
Lyrics Andrew Lippa
Book Marshall Brickman
Rick Elice
Basis comic strip The Addams Family unit
past Charles Addams
Productions 2009 Chicago tryout
2010 Broadway
2011 North America bout
2013 Usa/Asia tour
2017 U.k. tour
2021 UK tour

The Addams Family is a musical one-act with music and lyrics by Andrew Lippa and book by Marshall Brickman and Rick Elice. The show is based upon The Addams Family characters created by Charles Addams in his single-panel gag cartoons, which depict a ghoulish American family with an analogousness for all things macabre. Although numerous picture show and television adaptations of Addams' cartoons be, the musical is the first stage show based on the characters.[i] The Addams Family is too the first show produced by Elephant Centre Theatricals.[2]

After a tryout in Chicago in 2009,[iii] the musical opened on Broadway in April 2010. The original cast featured Nathan Lane equally Gomez and Bebe Neuwirth as Morticia.[4] The product closed on December 31, 2011, and a revised national tour of Northward America began in September 2011.

The Addams Family won several awards during its Broadway run including a Drama Desk Accolade for Outstanding Set Design,[5] an Outer Critics Circle Accolade for Outstanding Set Pattern,[6] and the 2010 Drama League Award for Distinguished Achievement in Musical Theatre Award (presented to Nathan Lane).[7] The show was nominated for two Tony Awards, among other nominations.[8]

The U.k. premiere of The Addams Family unit was appear on 5 September 2016 and opened at the Edinburgh Festival Theatre in Edinburgh in April 2017 before embarking on a major UK tour.

Evolution [edit]

In 2007, the producers announced that they had obtained the rights from the Tee and Charles Addams Foundation to create a musical adaptation of The Addams Family unit for Broadway, and they anticipated an opening during the 2009–2010 flavor after an out-of-town tryout. This was the first time that Charles Addams' comic creations were licensed to serve as the footing for a phase production.[1] The musical'due south lead producers were Stuart Oken and Roy Furman.[ix] In addition to Oken and Furman, Vivek Tiwary too joined The Addams Family musical's squad of producers.[ten] The Addams Foundation reportedly retained control over the show's content and insisted that, instead of drawing the plot from The Addams Family unit television series or films, the product team devise an original musical based solely on Addams' cartoons.[11]

Marshall Brickman and Rick Elice were engaged to write the volume, and Andrew Lippa equanimous the prove'south score. Improbable theatre founders Julian Hunker and Phelim McDermott were the original directors and designers, with choreography by Sergio Trujillo.[ane] Hunker said that, when brainstorming ideas for the overall appearance of the show, he and McDermott turned to the grapheme of Uncle Fester for inspiration, asking themselves, "If Fester was going to do a Broadway show, what kind of Broadway show would he do?"[12] The partners described the result every bit "an off-trounce take on 19th Century Gothic".[12]

Some changes were made after the Chicago tryout. The songs "Clandango", "Passionate and True", "At Vii", and "2d Assistant" were replaced with "When You're an Addams", "Where Did We Go Wrong?", "Morticia", and "Simply Around the Corner". The songs "One Normal Dark", "Full Disclosure, Part two", "Crazier Than You lot", "Move Toward the Darkness", and "Tango De Amor" were rewritten.[ citation needed ]

Productions [edit]

Broadway [edit]

The evidence began previews on Broadway at the Lunt-Fontanne Theatre on March 8, 2010, with an official opening night of April 8.[thirteen] [xiv] The production was originally estimated to toll $x million,[15] merely more recent reports give the budget every bit $15 million.[16]

All of the cast from the Chicago tryout transferred to Broadway. The artistic squad included direction past McDermott and Hunker, choreography by Trujillo, lighting by Natasha Katz, puppets by Basil Twist, special effects by Gregory Meeh, and orchestrations past Larry Hochman.[17]

The show won both the Drama Desk Award and Outer Critics Circle Award for Outstanding Ready Design but received no other major awards.[eighteen] However, information technology did win the Broadway.com Audition Awards for Favorite New Broadway Musical, Favorite Performance past a Featured Histrion in a Broadway Musical (Kevin Chamberlin), Favorite Breakthrough Performance (Krysta Rodriguez), and Favorite Onstage Pair (Nathan Lane and Bebe Neuwirth).[19]

A May 2011 commodity in Playbill reported that the evidence had by and so grossed over $62 million.[20] The testify celebrated its 500th performance on June 16, 2011.[21] Playbill reported in May 2011 that "plans for other international productions are currently underway."[20]

Cassandra Peterson was in talks to accept over the part of Morticia until the producers decided to close the testify at the end of the year.[22]

The Broadway production closed on December 31, 2011, after 35 previews and 722 performances.[23]

National tours [edit]

A United states tour began in September 2011 at the Mahalia Jackson Theater for the Performing Arts in New Orleans.[24] Tour stops included Atlanta, Miami, Boston, Hartford, Saint Paul, Philadelphia, Dallas, Pittsburgh, Buffalo, Los Angeles, Kansas City, Orlando, Florida, and San Diego. Virtually of these cities include those that are members of Elephant Eye Theatricals and worked on producing The Addams Family unit on Broadway and bout.[25] [26] The musical was also performed in Toronto, Ontario, Canada, at the Toronto Center for the Arts during November sixteen–27, 2011.[27] [28] Douglas Sills and Sara Gettelfinger played Gomez and Morticia Addams, respectively.[29] The touring version has "a new cardinal plot conflict, new or revised or reordered songs to replace erstwhile ones, fresh orchestrations and trip the light fantastic where necessary."[30]

A second tour of Due north America, produced past Phoenix Entertainment, launched in 2013, starring Jennifer Fogarty every bit Midweek, KeLeen Snowgren equally Morticia, Jesse Sharp as Gomez, Shaun Rice as Uncle Fester, and Sam Primack equally Pugsley. Later on the 2nd national bout, The Addams Family was due to tour Asia. Most, if not all, of the 2nd National Tour cast was set to perform in the Asian tour except Sam Primack as Pugsley, who was to be replaced by Connor Barth.

Return to Chicago [edit]

The Addams Family unit returned to Chicago in a sit down-downwards production at Mercury Theater Chicago opening Feb 5, 2015, after a week of previews, and closing April 15. The production, which featured a tighter post-National Tour script and a more than Chicago improv-oriented cast, was directed by 50. Walter Stearns, musical directed by Eugene Dizon, and choreographed by Brenda Didier; with scene design by Bob Knuth, lighting past Nick Belley, audio by Mike Ross, costumes by Frances Maggio, and magic by Neil Tobin.

The cast featured Karl Hamilton (Gomez), Rebecca Prescott (Morticia), Harter Clingman (Uncle Fester), Amanda Hartley (Grandma), Dara Cameron (Wednesday), Brennan Dougherty (Pugsley Addams), Jeff Diebold (Lurch), Jason Grimm (Mal Beineke), Cory Goodrich (Alice Beineke), and Henry McGinniss (Lucas Beineke).

The evidence received unanimous rave reviews. "Comic perfection at the Mercury. It'south a very good bet that The Addams Family will haunt the Mercury for months to come up" (Chicago Sunday-Times).[31] "Much more relaxed and infinitely funnier. Enjoyed 50. Walter Stearns Mercury Theater product more than whatever of my previous visits with this family [including pre-Broadway tryout, Broadway, and National Bout product]. Relentless focus on laughs" (Chicago Tribune).[32] "An absolute please! The best show I've seen then far this yr" (New Urban center Chicago).[33] The production was honored with iii 2015 Jeff Award nominations[34] and won Outstanding Production—Musical—Midsize.[35]

International productions [edit]

The first international product opened in March 2012 at Teatro Abril, São Paulo, Brazil, produced past T4F with Marisa Orth, Daniel Boaventura, laura Lobo and Beto Sargentelli as primary cast. It closed in December 2012.[36] The same product started on January 10, 2013, at Vivo Rio, in Rio de Janeiro.[37] [38]

The Addams Family had its European premiere on September 29, 2012, at Östgötateatern, Norrköping, Sweden. directed by Mattias Carlsson and conducted past Johan Siberg. Starring: Petra Nielsen (Morticia), Christian Zell (Gomez), Jenny Holmgren (Wednesday), Fabian Nikolajeff/Kalle Jansson (Pugsley), Jesper Barkselius (Fester), Gunnel Samuelsson (Grandma), January Unestam (Lurch), Carina Söderman (Alice), Sven Angleflod (Mal) and Linus Henriksson (Lucas)[39]

The musical premiered at the Capitol Theatre in Sydney, Commonwealth of australia, starting in March 2013. The cast includes John Waters as Gomez Addams, Chloe Dallimore as Morticia Addams, Russell Dykstra equally Uncle Fester, Teagan Wouters as Wednesday Addams and Ben Hudson as Lurch.[20] [xl] [41] [42] The show airtight on June nine, 2013. It had been hoped to bout to other Australian cities just it is understood the show had struggled at the box function and those plans were cancelled.[43]

The musical began its Argentine premiere at Teatro Ópera in Buenos Aires, Argentina, starting on June nineteen, 2013. It was produced by T4F (Fourth dimension For Fun), a Brazilian entertainment company. The cast included Gabriel Goity as Homero (Gomez), Julieta Díaz as Morticia, Santiago Ríos as Tío Lucas (Uncle Fester), Gabi Goldberg as Abuela (Grandma), Alejandro Viola as Mauricio Beineke (Mal Beineke), Dolores Ocampo as Alice Beineke, Laura Esquivel as Merlina (Wednesday), Marcelo Albamonte as Largo (Lurch), and Marco Di Mónaco as Tomás Beineke (Lucas Beineke). Iv children played Pericles (Pugsley): Kevin La Bella, Jorge Chamorro, Tadeo Galvé, and Valentino Grizutti.

The Finnish premiere of The Addams Family took identify in Tampereen Työväen Teatteri, besides known as the TTT-Theatre of Tampere, on October 4, 2013. Directed by Tiina Puumalainen, visually designed by Teppo Järvinen, and conducted by Pekka Siistonen, the production featured a cast of Puntti Valtonen (Gomez), Eriikka Väliahde (Morticia), Laura Alajääski (Wednesday), Jukka Nylund (Pugsley), Matti Pussinen-Eloranta (Mumma / Grandma), Samuli Muje (Fester), Minna Hokkanen (Alice), Mika Honkanen (Mal), Juha-Matti Koskela (Lucas), and Sami Eerola (Lurch).

Los Locos Addams opened on October 31, 2013, at Teatro Marsano in Lima, Peru, directed by Domenico Poggi. It was produced by La Gran Manzana. The bandage featured Diego Bertie as Homero (Gomez), Fiorella Rodriguez as Morticia, Nicolás Fantinato as Tío Lucas (Uncle Fester), Patricia Portocarrero and Fiorella Rojas equally Abuela (Grandma), Gina Yangali as Merlina (Wednesday), Gustavo Mayer as Largo (Lurch), Luis Baca as Walter (Lucas) Beineke, Trilce Cavero as Alice Beineke, Miguel Alvarez as Mal Beineke, and Giuseppino Castellano and Brando Gallesi equally Pericles (Pugsley).

The Addams Family was staged at the Meralco Theater in Manila, the Philippines, past Atlantis Productions, Inc., from Nov 15 to December 1, 2013. Cast members included Arnell Ignacio (Gomez), Eula Valdez (Morticia), K-La Rivera (Wednesday), and Ryan Gallagher (Lucas).[44] [45]

The Addams Family debuted in the German language language in July 2014 in Merzig and airtight in September 2014. That December information technology was staged in Bremen. The bandage included theatre and television actors Uwe Kröger (Gomez), Edda Petri (Morticia), Jana Stelley (Wed), Enrico DePieri (Uncle Fester), Anne Welte (Grandma), Noah Walczuch (Pugsley), Ethan Freeman (Mal Beineke), Apr Hailer (Alice Beineke), and Dominik Hees (Lucas Beineke). The High german bandage likewise produced an album, published in December 2014.[46]

The Addams Family premiered in Milan, Italian republic, in October 2014. The cast included Elio and Geppi Cucciari every bit Gomez and Morticia. Costumes were designed past stylist Antonio Marras. Musical supervisor Cinzia Pennesi, Prepare Blueprint Guido Fiorato, Low-cal Design Marco Filibeck. The Italian version was directed past Giorgio Gallione and translated and adjusted past Italian author Stefano Benni. Other bandage members included Pierpaolo Lopatriello (Uncle Fester), Giulia Odetto (Wednesday), Leonardo Garbetta, Emanuele Ghizzinardi, and Giacomo Nasta (Pugsley), Sergio Mancinelli (Grandma), Filippo Musenga (Lurch), Paolo Avanzini (Lucas Beineke), Clara Maselli (Alice Beineke), and Andrea Spina (Mal Beineke).

In United mexican states, the show opened in October 2014 as Los Locos Addams, the name of the Television series in United mexican states, starring Susana Zabaleta as Morticia, Jesús Ochoa as Homero (Gomez), Gloria Aureola as Merlina (Wednesday), Miguel Ángel Pérez and Sebastián Gallegos equally Pericles (Puglsey), Gerardo González as Tío Lucas (Uncle Fester), Raquel Pankowsky equally Abuela (Grandma), José Roberto Pisano every bit Lurch, Luca Duhart every bit Tomás (Lucas) Beineke, Tomás Castellanos as Mauricio (Mal) Beineke, and Marisol del Olmo as Alicia (Alice) Beineke.

In French republic, a French-language production opened in September 2017 at Le Palace in Paris as part of their 2017–2018 flavour. After the last show in Jan 2018, the evidence moved to the Casino de Paris on October seven, 2018, for a limited engagement.[47]

On April 19, 2019, the premiere of the Broadway musical "The Addams Family unit" took place in Kyiv, on the main stage of the Kyiv National Bookish Operetta Theater of Ukraine.[48]

In Malta, a production in English language premiered in the Mediterranean islands past ARTHAUS in March 2020, with the Artistic Direction of Lucienne Camilleri, Musical Direction past Ryan Paul Abela, and with Stefania Grech Vella as the Executive Producer. It was presented in association with Theatrical Rights Worldwide (TRW). The production took place in Malta'due south Majuscule at the Mediterranean Conference Centre, Valletta.[49] About the production in Malta Andrew Lippa wrote in a Tweet on March 4, 2020; "My belatedly male parent spent vi months in Republic of malta in 1952. He told great stories about the state and its people. Then thrilled "The Addams Family" is playing in that location at present. Life is remarkable!"[fifty]

The Russian premiere of the musical took place in Tyumen in city' s repertory drama theatre on June four, 2021.[51] Official name of the version is "Семейка Аддамс". The production started quite successfully, theatre's website crashed due to high number of visitors who wanted to buy ticket.[52] Roles of Morticia, Wednesday and Pugsley feature double cast, while performers for other roles accept no alternates. The new product received ix (out of ten for the genre) nominations for the Golden Mask award, the most prestigious theater award in the country.[53]

U.k. [edit]

On September 5, 2016, it was appear that The Addams Family musical would commence on a major UK and Republic of ireland bout produced by Music & Lyrics Productions,[54] with Associate Producers James Yeoburn and Stuart Matthew Toll for United Theatrical, and Guy James. The production was directed by Matthew White and opened at the Edinburgh Festival Theatre on Apr 20, 2017. It starred Cameron Blakely as Gomez, Samantha Womack as Morticia, Les Dennis as Fester, and Carrie Hope Fletcher as Wednesday.[55] The Great britain leg of the tour finished at the Orchard Theatre in Dartford on November four, 2017, and and then the production was transferred to Singapore, where it ran at the MES Theatre from Nov 15 to December three, 2017.[56]

Later on being postponed for more than a twelvemonth due to the COVID-19 pandemic, a second U.k. and Ireland tour started on November v, 2021 at the Theatre Royal, Nottingham, with Cameron Blakely reprising his function as Gomez, Joanne Clifton as Morticia, Scott Paige as Fester, and Kingsley Morton as Wed.[57]

Synopsis [edit]

Broadway version [edit]

Deed I [edit]

The ghoulish Addams family are visiting the graveyard for an annual gathering of all family members (living, dead, and undecided) to celebrate what information technology is to exist an Addams ("When You're an Addams"). Uncle Fester stops the Ancestors' return to their graves to enlist their help. He explains that Wednesday, under protest, has invited her new (normal) boyfriend, Lucas Beineke, and his parents, Mal and Alice, to dinner. While torturing Pugsley on a rack, Wednesday admits that love is pulling her in a new direction ("Pulled"). Meanwhile, Midweek'due south parents, Morticia and Gomez, worry well-nigh her changing means ("Where Did We Get Wrong").

As the Beinekes arrive, Wednesday and Lucas instruct their families to human action normal so they tin can all savor a simple dinner ("One Normal Night"). Only the moment Lurch ushers the Beinekes into the mansion, tensions begin to mount. Mal wants to tear down the old business firm, Alice begins to spout happy poems at random, Pugsley, Fester, and Grandma fail at interim normal, and Wednesday, after wearing blackness for eighteen years, appears in a vivid yellow dress. Later, Lucas and Wednesday, abroad from their families, reveal that the reason they brought their families together is to announce their marriage. Gomez and Mal share a drink where Mal is introduced to Bernice, the family's giant pet squid, and Alice admits to Morticia that her union to Mal has grown passionless. Morticia then hears Wednesday phone call her old and worries that she's getting crows feet. She turns down Gomez's asking to tango, leaving him alone and unsatisfied ("Morticia"). Meanwhile, Pugsley is worried that Wednesday's dearest life ways she won't torture him anymore. He steals a potion from Grandma later she reveals it volition bring out someone'southward dark nature. Pugsley plans to slip information technology to Wednesday at dinner ("What If?").

At dinner, "The Game" is played, where each person at the table confesses something ("Full Disclosure"). Gomez tells a story about scaring abroad crows and their feet, but upsets Morticia by accidentally comparing her to a goat, while Uncle Fester admits he's in love with the moon. In a mix-up, Alice drinks Pugsley's potion and in front of everyone declares her union to Mal a loveless mess equally she reveals her misery and woe ("Waiting"). Every bit Mal, humiliated, attempts to leave with his family, Wednesday announces that she and Lucas will ally, to which Lucas sheepishly agrees. Chaos engulfs both families, and Uncle Fester, trying to be helpful, instructs the Ancestors to create a sudden, terrible storm, trapping anybody in the mansion for the night ("Full Disclosure – Role ii").

Human action II [edit]

During the storm, Wednesday tries to get out, but Lucas wants to stay and piece of work things out with their families, leading the pair to have their first fight. After, Morticia fears she is no longer relevant to her own family unit, and reminds herself that death is waiting for her ("Only Around The Corner"). Mal and Alice start to accept a fight about their marriage at the dinner after Alice makes a poem that doesn't rhyme. Uncle Fester calls for an interlude as he plays his ukulele, singing a dearest vocal to the Moon ("The Moon and Me").

Walking out in the yard, Wed runs into Gomez. He is happy she's constitute someone to dearest, even so sorry that his daughter is growing up ("Happy/Distressing"). Wednesday is left worrying that she and Lucas are also dissimilar. Then equally a show of trust, Lucas blindfolds Wednesday and lets her shoot an apple off his caput with a crossbow ("Crazier Than Y'all"). She succeeds, and the two embrace. Pugsley cannot sleep, and Morticia relaxes him a bit but he cannot bring himself to confess what he did to Alice. In the grotto, Gomez and Fester attempt to get Mal to open up nearly his feelings to no avail ("Let'due south Not Talk About Anything Else Simply Love"). He is ultimately kidnapped by Bernice and pulled into the sewers. Grandma, hearing the word "dearest", comes to sing with Gomez and Fester ("Allow'southward Not Talk Well-nigh Anything Else Simply Honey" (reprise)). Moments subsequently, Alice is led down to the grotto by Lurch where Mal, now dorsum from his swim with Bernice, has learned to appreciate what he has after spending time in the artillery of a passionate squid and announces he still loves Alice ("In The Artillery"). Gomez now goes up to the rooftop to profess his love for Morticia ("Live Earlier We Dice"). They kiss and begin to tango ("Tango de Amor").

With all the couples reunited, Pugsley admits to slipping the potion to Alice, but is congratulated since it brought everyone together. Uncle Fester, wearing a rocket, tells everyone he is flight off to be with the moon. As the families sing one last carol, they are all shocked equally Lurch sings out loud for the first time, simply every bit a puff of smoke is seen on the moon, signaling Fester has just landed ("Motion Toward the Darkness").

US and UK touring version [edit]

The national tours of the production inverse the plot equally follows. After the opening song, Uncle Fester addresses the audience directly about the love between Wednesday and Lucas, and states that the Ancestors volition not exist immune to return to their graves until love prevails. Wednesday confesses her dear of Lucas to Gomez just also makes him promise not to disembalm her surreptitious to Morticia until the ii families all have dinner later that night. Morticia observes that Gomez is acting unusually, and this causes tension between them, especially because Morticia believes that Gomez has never lied to her before. When the dinner causes these secrets to be revealed, Morticia wonders if her union can be saved, and Mal and Alice likewise have disagreements. When Mal observes the cede Lucas is willing to make to Wednesday by having the apple shot off his head, he reconciles with Alice. Gomez stops Morticia just every bit she is near to get out the family by reminding her that she acted the aforementioned way that Wednesday did when Morticia was younger. All plot references to the giant squid Bernice are completely removed, and some of the songs are either rearranged into new ones or completely cut altogether; well-nigh notably, the Act 2 song "Let's Not Talk About Anything Else But Dearest" is cut merely portions of the lyrics are used in Act I with Fester's song "Fester's Manifesto" and a reprise titled "But Beloved".

Musical numbers [edit]

Chicago (Pre-Broadway) [edit]

Broadway [edit]

† Not included on the original Addams Family playbill.

U.s.a. Bout and current productions [edit]

† Non included on the original Broadway Cast Album.

Casts [edit]

The chief original casts of the major productions of The Addams Family unit.

Office Original Broadway cast Original US bout cast Original UK tour cast
Gomez Addams Nathan Lane Douglas Sills Cameron Blakely
Morticia Addams Bebe Neuwirth Sara Gettelfinger Samantha Womack
Uncle Fester Kevin Chamberlin Blake Hammond Les Dennis
Wednesday Addams Krysta Rodriguez Cortney Wolfson Carrie Promise Fletcher
Mal Beineke Terrence Mann Martin Vidnovic Dale Rapley
Alice Beineke Carolee Carmello Crista Moore Charlotte Page
Lucas Beineke Wesley Taylor Brian Justin Crum Oliver Ormson
Grandma Addams Jackie Hoffman Pippa Pearthree Valda Aviks
Pugsley Addams Adam Riegler Patrick D. Kennedy Grant McIntyre
Lurch Zachary James Tom Corbeil Dickon Gough

Notable Broadway cast replacements included Roger Rees every bit Gomez, Brooke Shields as Morticia, Brad Oscar as Fester, Rachel Potter equally Wednesday, and Heidi Blickenstaff as Alice.

Assay of book and music [edit]

In addition to the original characters created by Addams, the musical introduces the new roles of Mal, Alice, and Lucas Beineke, who are described as "straight arrow Midwesterners."[58] The ensemble consists of a group of Addams Family ancestors, each from a dissimilar time catamenia.

Lippa said he wrote most of the score to friction match each grapheme's personality.[59] This included giving Gomez a Flamenco-style Castilian score, Wednesday a more than contemporary score, and Fester a vaudevillian score.[sixty] "Let'south Non Talk Near Anything Else but Love" is "jazzy/swingy/tricky" and "Happy/Sad" is a carol reminiscent of Stephen Sondheim.[61]

Original Broadway bandage recording [edit]

The Addams Family
(Cast Recording of the Musical)
Soundtrack anthology by

Andrew Lippa

Released June 8, 2010
Recorded Apr nineteen, 2010
Label Decca Broadway
Producer Andrew Lippa

An original Broadway cast recording was produced by Decca Broadway.[62] Featuring about of the show'southward musical numbers, it was released on June 8, 2010, although it was available to purchase at the Lunt-Fontanne Theatre from June 1, 2010.

The album was recorded on Apr nineteen, 2010, and was produced by Lippa.[63]

Runway listing[64]
No. Title Length
1. "The Addams Family unit Theme" 0:xvi
2. "Overture" 1:58
3. "When Y'all're an Addams" iv:25
4. "Pulled" two:59
5. "Where Did Nosotros Go Wrong" 2:twenty
six. "One Normal Night" iv:45
7. "Morticia" three:49
eight. "What If?" 2:06
ix. "Full Disclosure" 2:34
x. "Waiting" two:25
11. "Full Disclosure (Part ii)" 1:09
12. "Just Around the Corner" iii:58
13. "The Moon and Me" 3:03
fourteen. "Happy/Sorry" 3:55
fifteen. "Crazier Than You" 2:51
16. "Let'due south Non Talk Nigh Anything Else But Dear" 3:19
17. "Allow's Not Talk About Anything Else But Love (Reprise)" 0:l
18. "In The Artillery" ii:24
19. "Live Before Nosotros Die" 2:48
20. "Tango de Amor" 3:11
21. "Motility Toward the Darkness" 3:58
22. "Not Today" 3:12

Annotation: "Not Today" was sung past Lippa as a bonus rails for the iTunes release of the cast recording.[65]

Reception [edit]

The Variety review of the Chicago tryout said "The show [is] overcrammed and underfocused...From a structural perspective, the storytelling is all rising activeness followed by rapid and not really convincing resolution... information technology's very funny, with special nods to Chamberlin, whose ultra-corny number 'The Moon and Me' is a comic highlight, too every bit to Hoffman and Lane."[66] The Chicago Sun-Times theater critic wrote a laudatory review,[67] but while the Chicago Tribune critic found the musical enjoyable, he felt "the prove is hijacked by the Addamses behaving weirdly (i.e. normally)" and that Morticia's "crunch of confidence about getting old" is "a very uneasy narrative twist" and perhaps too far out of graphic symbol.[68]

Reviews for the Broadway production were mixed merely more often than not negative (the median grade of 27 major reviews was "D+").[69] John Simon, writing in the Bloomberg News chosen it "A glitzy-gloomy musical in which the quick and the dead are as full of grapheme, specially the chorus of ancestors that exhibits wonderful esprit de corpse."[lxx] Still, Ben Brantley in The New York Times wrote that information technology is "A tepid goulash of vaudeville song-and-trip the light fantastic toe routines, Borscht Chugalug jokes, stingless sitcom zingers and homey romantic plotlines".[71] There was full general praise for the performers, especially Nathan Lane. An Associated Press reviewer stated: "Lane, complete with a deliciously phony Spanish emphasis, is the hardest working actor on Broadway. Any they are paying him – and I hope it is a lot – he's worth the toll. The actor possesses a theatrical gusto that makes the musical move whenever he is on stage."[69]

Despite many negative reviews by New York critics, it has consistently played to 100% capacity and grossed third just to Wicked and The Lion Male monarch each week since it opened in previews.[72] The New York Times reported that despite "the sort of scathing reviews that would bury most shows", the product had $851,000 in ticket sales on superlative of a $15 million advance sale the weekend following its opening, "huge figures for a new Broadway run". The Times attributed this success to a beloved brand-proper name title, nostalgia, star strength, and a top-notch marketing entrada past the producers.[3]

The post-tour return to Chicago was hailed equally "triumphant" (New City Chicago),[33] and moved Hedy Weiss of the Chicago Sun-Times to issue this directive: "Note to Broadway (and non for the first fourth dimension): If you desire to run across how to make a musical really snap into place — how to connect with an audience in that uncanny way that is so crucial for success, how to delineate characters and so that we cannot assistance but cheer for them, and how to turn every production number into a light-headed explosion of song and dance — pay a visit to the ideally intimate Mercury Theater Chicago."[31]

Awards and nominations [edit]

Original Broadway production [edit]

Year Award Category Nominee Result
2010 Tony Laurels Best Original Score Andrew Lippa Nominated
Best Performance by a Featured Actor in a Musical Kevin Chamberlin Nominated
Drama Desk Honor[18] Outstanding Musical Nominated
Outstanding Actor in a Musical Nathan Lane Nominated
Outstanding Featured Histrion in a Musical Kevin Chamberlin Nominated
Outstanding Featured Actress in a Musical Carolee Carmello Nominated
Outstanding Music Andrew Lippa Nominated
Outstanding Lyrics Nominated
Outstanding Prepare Blueprint Phelim McDermott, Julian Crouch and Basil Twist Won
Outstanding Lighting Design Natasha Katz Nominated
Drama League Laurels[73] Distinguished Product of a Musical Nominated
Distinguished Accomplishment in Musical Theatre Nathan Lane Won
Distinguished Functioning Nominated
Bebe Neuwirth Nominated
Outer Critics Circumvolve Award[74] Outstanding Actor in a Musical Nathan Lane Nominated
Outstanding Extra in a Musical Bebe Neuwirth Nominated
Outstanding Featured Histrion in a Musical Kevin Chamberlin Nominated
Outstanding Featured Actress in a Musical Carolee Carmello Nominated
Outstanding Fix Design (Play or Musical) Phelim McDermott and Julian Crouch Won

2015 Chicago Product [edit]

Yr Award Category Nominee Result
2015 Jeff Award[35] Production—Musical—Midsize Won
Costume Design—Midsize Frances Maggio Nominated
Actor in a Principal Role—Musical Karl Hamilton Nominated

2021 Tyumen Production [edit]

Yr Honor Category Nominee Result
2022 Gilded Mask[53] Operetta / Musical – Best Production Nominated
Operetta / Musical – All-time Director Darya Borisova Nominated
Operetta / Musical – Best Actress Sofya Ilyushina (Morticia) Nominated
Darya Tereshina (Morticia) Nominated
Operetta / Musical – Best Histrion Aleksandr Kudrin (Gomez) Nominated
Operetta / Musical – Best Supportive Actor / Extra Zhanna Syrnikova (Alice) Nominated
Musical Theatre – Best Designer Mariya Utrobina Nominated
Musical Theatre – Best Costume Designer Nominated
Musical Theatre – All-time Light Designer Ivan Vinogradov Nominated

References [edit]

  1. ^ a b c Jones, Kenneth (May 21, 2007). "Go, Go, Go Gomez! Addams Family Musical, by Lippa, Brickman and Elice, In Development". Playbill . Retrieved September vii, 2020.
  2. ^ "Elephant Centre Theatrical". The Bushnell . Retrieved September 7, 2020.
  3. ^ a b Healy, Patrick (April xiv, 2010). "Critics May Rant, simply 'Addams Family' Rakes It In". New York Times.
  4. ^ Jones, Kenneth (6 March 2011). "Goodbye, Gomez: Nathan Lane Amongst 'Addams Family unit' Actors Exiting Broadway Musical March 6" Playbill. Archived March 8, 2011, at the Wayback Motorcar.
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External links [edit]

  • The Addams Family unit United kingdom
  • The Addams Family UK on Facebook
  • The Addams Family UK on Instagram
  • The Addams Family at the Net Broadway Database
  • The Addams Family at Broadway.com
  • The Addams Family unit Song Lyrics
  • The Addams Family unit Malta
Awards
Preceded by

Tim Hatley for Shrek: The Musical

Drama Desk-bound Honor for
Outstanding Set Design
Succeeded by

Derek McLane for Anything Goes

teecethoutter.blogspot.com

Source: https://en.wikipedia.org/wiki/The_Addams_Family_%28musical%29

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